It's a wrap for Handel's Orlando!
This summer has seen us perform 4 sell-out performances of Handel's little-known opera Orlando with the Liberata Collective, who specialise in staging historical opera through Baroque Gesture. It's a crazy plot, with the hero, the knight Orlando, caught in a love triangle which leads him to kill two other characters, and nearly a third! Fortunately, the magician Zoroastro (pictured below working his magic) is able to bring everyone back to life at the end and restore Orlando's glory...
We were delighted to work with an expanded ensemble for this project, welcoming Francesca Gilbert on viola and Oonagh Lee on oboe, and to collaborate with Musical Director Adrian Butterfield. The score for Orlando is a challenging one, and we were performing with a reduced instrumentation to Handel's original:
Here are a few choice snippets from the reviews:
Here of course, with the use of period instruments, the emphasis was on the quality of the music of Orlando and its ability to carry the dramatic intent of the opera. And being Handel of course, it's absolutely beautiful. With the small ensemble to the right of the stage, it was more than enough to spring this work into life.
Opera Journal
The seven instrumentalists of Ensemble Hesperi brought impressive colour to a reduced orchestration.
BachTrack
The singing of all five performers was excellent, as was the music. This production by Liberata Collective with Ensemble Hesperi was probably as near as can now be seen to the opera in Handel's time.
Buxton Advertiser

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